Selected Writings

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Selected Writings

THE LIGHTKEEPER

A night without ships. Foghorns called into walled cloud, and you
still alive, drawn to the light as if it were a fire kept by monks,
darkness once crusted with stars, but now death-dark as you sail inward.
Through wild gorse and sea wrack, through heather and torn wool
you ran, pulling me by the hand, so I might see this for once in my life:
the spin and spin of light, the whirring of it, light in search of the lost,
there since the era of fire, era of candles and hollow-wick lamps,
whale oil and solid wick, colza and lard, kerosene and carbide,
the signal fires lighted on this perilous coast in the Tower of Hook.
You say to me stay awake, be like the lensmaker who died with his
lungs full of glass, be the yew in blossom when bees swarm, be
their amber cathedral and even the ghosts of Cistercians will be kind to you.
In a certain light as after rain, in pearled clouds or the water beyond,
seen or sensed water, sea or lake, you would stop still and gaze out
for a long time. Also when fireflies opened and closed in the pines,
and a star appeared, our only heaven. You taught me to live like this.
That after death it would be as it was before we were born. Nothing
to be afraid. Nothing but happiness as unbearable as the dread
from which it comes. Go toward the light always, be without ships.

CURFEW
for Sean

The curfew was as long as anyone could remember
Certainty’s tent was pulled from its little stakes
It was better not to speak any language
There was a man cloaked in doves, there was chandelier music
The city, translucent, shattered but did not disappear
Between the no-longer and the still to come
The child asked if the bones in the wall
Belonged to the lights in the tunnel
Yes, I said, and the stars nailed shut his heaven

—from Blue Hour

IN THE PLACE DES MARTYRS

That morning they lifted above their heads what appeared to be a doll in a christening gown and we stood in the blasted haze waiting for long white plumes to stanch the fires quickening through carpets and bedclothes, a tea service, a tender curtain, and we did not turn away, nor did we photograph the child, —except at the moment of its being raised— but later we walked to the Place des Martyrs where a stillness had been created entirely by small arms-fire that had blistered walls, blackened shops and taken from the movie-house all but its blank screen, where once all manner of figures had shone, wavering, composed of light through what was now nothing: a country. Or such was the hope.

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